Noorani Qaida Page 13 - Lesson 08: Comprehensive Practice of Huroof-e-Maddah

Noorani Qaida Page 13

Welcome to Noorani Qaida Page 13 at Learning Quraan. This page continues Takhti Number 08: Huroof-e-Maddah wa Leen, offering extensive, step-by-step practice for stretching the three long vowel letters—Alif Maddah, Waw Maddah, and Ya Maddah—across all remaining Arabic alphabets.

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What is Covered in Noorani Qaida Page 13?

Page 13 focuses entirely on mastering the practical application of Huroof-e-Maddah (حروف مدا کا مشق) through structured letter sets:

  • Full Alphabet Elongation Practice: Systematically combining each Arabic letter with Alif Maddah, Waw Maddah, and Ya Maddah in sequence (Fatha + Alif, Damma + Waw Sakin, Kasra + Ya Sakin).
  • Featured Letter Combinations on Page 13:
    • Zay (ز): Zaa (زَا), Zoo (زُوْ), Zee (زِيْ)
    • Toa (ط): Toa (طَا), Too (طُوْ), Tee (طِيْ)
    • Zoa (ظ): Zoa (ظَا), Zoo (ظُوْ), Zee (ظِيْ)
    • Fa (ف): Faa (فَا), practice Foo (فُوْ), Fee (فِيْ)
    • Ha (هـ): Haa (هَا), Hoo (هُوْ), Hee (هِيْ)
    • Ya (ي): Yaa (يَا), Yoo (يُوْ), Yee (يِيْ)
    • Hamza (ء): Aa (ءَا), Oo (أُوْ), Ee (إِيْ)
    • Jeem (ج): Jaa (جَا), Joo (جُوْ), Jee (جِيْ)
    • Dal (د): Daa (دَا), Doo (دُوْ), Dee (دِيْ)
    • Thal (ذ): Zhaa (ذَا), Zhoo (ذُوْ), Zhee (ذِيْ)
    • Seen (س): Saa (سَا), Soo (سُوْ), See (سِيْ)
    • Sheen (ش): Shaa (شَا), Shoo (شُوْ), Shee (شِيْ)
    • Sad (ص): Saa (صَا), Soo (صُوْ), See (صِيْ)
    • Dhad (ض): Dhaa (ضَا), Dhoo (ضُوْ), Dhee (ضِيْ)
    • Ayn (ع): A’a (عَا), A’oo (عُوْ), A’ee (عِيْ)
    • Ghain (غ): Ghaa (غَا), Ghoo (غُوْ), Ghee (غِيْ)
    • Qaf (ق): Qaa (قَا), Qoo (قُوْ), Qee (قِيْ)
    • Kaf (ك): Kaa (كَا), Koo (كُوْ), Kee (كِيْ)
    • Lam (ل): Laa (لَا), Loo (لُوْ), Lee (لِيْ)
    • Meem (م): Maa (مَا), Moo (مُوْ), Mee (مِيْ)

Key Tajweed Rules for Maddah Practice

When practicing Page 13, pay close attention to these important Tajweed principles:

  • Uniform Stretch (1 Alif / 2 Counts): Maintain an equal duration of stretch (approximately 1 to 1.5 seconds) for all three Maddah types without making one longer than the other.
  • Soft Vocal Transition: Ensure the sound flows smoothly from the mouth cavity without creating a sharp jerk at the end of the elongation.
  • Distinguishing Hamza Maddah: Notice how Hamza-Alif (ءَا), Hamza-Waw (أُوْ), and Hamza-Ya (إِيْ) produce smooth elongated vowel sounds (Aa, Oo, Ee) without straining the throat.

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👉 Proceed to Lesson 08 (Huroof-e-Leen): Noorani Qaida Page 14

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